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told in scattered fashion | negative. |
takes chances that are bold by studio standards | positive. |
believe it or not , jason actually takes a backseat in his own film to special effects | negative. |
only thing to fear about `` fear dot com '' | negative. |
whole mess | negative. |
manages to infuse the rocky path to sibling reconciliation with flashes of warmth and gentle humor | positive. |
working from a surprisingly sensitive script co-written by gianni romoli ... ozpetek avoids most of the pitfalls you 'd expect in such a potentially sudsy set-up . | positive. |
a r茅sum茅 loaded with credits like `` girl in bar # 3 | negative. |
enjoy the ride | positive. |
very little to add beyond the dark visions already relayed by superb recent predecessors | negative. |
the , yes , snail-like pacing | negative. |
an extremely unpleasant film . | negative. |
if it is n't entirely persuasive , it does give exposure to some talented performers | positive. |
the whole affair , true story or not , feels incredibly hokey ... | negative. |
are all things we 've seen before | negative. |
poignant and leavened | positive. |
breathless anticipation | positive. |
significantly better | positive. |
as predictable as the tides | negative. |
bewilderingly brilliant and entertaining | positive. |
it 's smooth and professional | positive. |
, unassuming , subordinate | negative. |
the horror | negative. |
a technically superb film | positive. |
the positive change in tone here seems to have recharged him . | positive. |
pays earnest homage to turntablists and beat jugglers , old schoolers and current innovators | positive. |
a dim | negative. |
, vicious and absurd | negative. |
because he acts so goofy all the time | negative. |
to a kinetic life so teeming that even cranky adults may rediscover the quivering kid inside | positive. |
's at once laughable and compulsively watchable , | positive. |
merit its 103-minute length | positive. |
the value and respect for the term epic cinema | positive. |
as a dentist 's waiting room | negative. |
showing honest emotions | positive. |
amazingly lame . | negative. |
confessions may not be a straightforward bio | negative. |
seems a disappointingly thin slice of lower-class london life ; despite the title ... amounts to surprisingly little | negative. |
the story is bogus and | negative. |
this comic gem is as delightful as it is derivative . | positive. |
to spare wildlife | positive. |
ugly as the shabby digital photography | negative. |
understand the difference between dumb fun and just plain dumb | negative. |
traditionally structured | positive. |
frida is n't that much different from many a hollywood romance . | negative. |
does point the way for adventurous indian filmmakers toward a crossover into nonethnic markets . | positive. |
are worth the price of admission ... if `` gory mayhem '' is your idea of a good time | positive. |
was produced by jerry bruckheimer and directed by joel schumacher , and reflects the worst of their shallow styles : wildly overproduced , inadequately motivated every step of the way and demographically targeted to please every one ( and no one ) | negative. |
carnage and | negative. |
degraded , handheld blair witch video-cam footage | negative. |
second fiddle | negative. |
about the folly of superficiality that is itself | negative. |
serves as auto-critique , and its clumsiness as its own most damning censure . | negative. |
tedious norwegian offering which somehow snagged an oscar nomination . | negative. |
, esther kahn is unusual but unfortunately also irritating . | negative. |
a stylish exercise | positive. |
halfway through this picture i was beginning to hate it | negative. |
a setup so easy it borders on facile | negative. |
a thoroughly awful movie | negative. |
takes hold and grips hard | positive. |
look smeary and blurry , to the point of distraction | negative. |
the picture 's fascinating byways | positive. |
guns , cheatfully filmed martial arts , disintegrating bloodsucker computer effects and jagged camera moves | negative. |
breezy , distracted rhythms | negative. |
than this mess | negative. |
evanescent , seamless and sumptuous stream | positive. |
slick and manufactured to claim street credibility . | positive. |
take care is nicely performed by a quintet of actresses , | positive. |
valuable messages | positive. |
in no small part thanks to lau | positive. |
two guys who desperately want to be quentin tarantino when they grow up | negative. |
no new plot conceptions | negative. |
essentially a collection of bits -- | negative. |
does n't bode well for the rest of it | negative. |
elevated by it -- the kind of movie | positive. |
usual worst | negative. |
hugh grant , who has a good line in charm | positive. |
arrive early and stay late | positive. |
is a pan-american movie , with moments of genuine insight into the urban heart . | positive. |
i could have used my two hours better watching being john malkovich again . | negative. |
shot in artful , watery tones of blue , green and brown | positive. |
an unorthodox little film noir organized crime story that includes one of the strangest | positive. |
considerable aplomb | positive. |
acted by diane lane and richard gere . | positive. |
scant | negative. |
an admittedly middling film | positive. |
too ludicrous | negative. |
the rock 's fighting skills are more in line with steven seagal | positive. |
rich and full | positive. |
warm water under a red bridge is a celebration of feminine energy , a tribute to the power of women to heal . | positive. |
that uses a sensational , real-life 19th-century crime as a metaphor for | positive. |
, home movie will leave you wanting more , not to mention leaving you with some laughs and a smile on your face . | positive. |
, the film retains ambiguities that make it well worth watching . | positive. |
ultra-cheesy dialogue | negative. |
added depth and resonance | positive. |
the sensational | positive. |
huge-screen format to make an old-fashioned nature film that educates viewers with words and pictures while entertaining them | positive. |
handsome but unfulfilling suspense drama | negative. |
's not very good either . | negative. |
in her most charmless | negative. |